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benjamin binder

Benjamin Binder

Chair of Musicianship, Associate Professor of Music
Mary Pappert School of Music

School of Music 215
Phone: 412.396.4355


Ph.D., Musicology, Princeton University, 2006
M.A., Musicology, Princeton University, 2000
M.M., Piano Performance, Washington University, 1997

Associate Professor of Music Benjamin Binder joined the musicianship faculty of the Mary Pappert School of Music in the fall of 2008, after holding a two-year teaching position at Lawrence University in Appleton, WI. At Duquesne, Dr. Binder teaches musicology and music history at the undergraduate and graduate levels. He is also a collaborative pianist, and he believes passionately in the close connection between scholarship and performance, a connection which he actively pursues in his own professional life and encourages his students to explore in his courses.

Dr. Binder holds a master's degree in piano performance from Washington University and a Ph.D. in musicology from Princeton University. His work on German Romantic music and the German Lied has been published in Nineteenth-Century Music Review, Journal of the American Musicological Society, Current Musicology, and most recently in the volume Rethinking Schubert published by Oxford University Press. He has presented papers at regional, national, and international scholarly conferences, including meetings of the American Musicological Society, the Society for Music Theory, the Phenomenon of Singing International Symposium, the Biennial International Conference on Ninteenth-Century Music, and the Biennial North American Conference on Nineteenth-Century Music. He has also written a script for Thomas Hampson's Song: Mirror of the World public radio series which has been broadcasted nationwide on the WFMT Radio Network (http://hampsongfoundation.org/song-mirror-of-the-world-program-5-paris-city-of-light/). In general, his scholarly and teaching interests include European music and culture of the long nineteenth century, German Romanticism, art song, the intersection of criticism, analysis, and performance, interdisciplinary performance studies, and creative forms of audience engagement and concert innovation in classical music.

As a pianist, Dr. Binder has been a fellow at the Tanglewood Music Center and a participant in the Cleveland Institute of Music Art Song Festival. He has accompanied vocal and instrumental recitals throughout North America. As artistic and general director of the Pittsburgh Song Collaborative (http://www.duq.edu/pghsong), he regularly presents innovative song recitals throughout the Pittsburgh area and beyond, including collaborations with the Carnegie Museum of Art and Andy Warhol Museum.

Dr. Binder was also the director and co-founder of the Vancouver International Song Institute's Song Scholarship and Performance program (for more information, see www.ams-net.org/newsletter/AMSNewsletter-2013-2.pdf, pp. 16-18).