Dr. Benjamin BinderAssociate Professor of Music
Mary Pappert School of Music
School of Music 215
Education:Ph.D., Musicology, Princeton University, 2006
M.A., Musicology, Princeton University, 2000
M.M., Piano Performance, Washington University, 1997
Associate Professor of Music Benjamin Binder joined the musicianship faculty of the Mary Pappert School of Music in the fall of 2008, after holding a two-year teaching position at Lawrence University in Appleton, WI. At Duquesne, Dr. Binder teaches musicology and music history at the undergraduate and graduate levels. He is also a collaborative pianist, and he believes passionately in the close connection between scholarship and performance, a connection which he actively pursues in his own professional life and encourages his students to explore in his courses.
Dr. Binder holds a master's degree in piano performance from Washington University and a Ph.D. in musicology from Princeton University. His work on German Romantic music and the German Lied has been published in Nineteenth-Century Music Review, Journal of the American Musicological Society, Current Musicology, and the volume Rethinking Schubert (forthcoming from Oxford University Press). He has presented papers on the Lieder of Schubert and Schumann at regional, national, and international scholarly conferences, including meetings of the American Musicological Society, the Phenomenon of Singing International Symposium, the Biennial International Conference on Ninteenth-Century Music, and the Biennial North American Conference on Nineteenth-Century Music. He has also recently completed a script for Thomas Hampson's Song: Mirror of the World public radio series, to be broadcast nationwide on the WFMT Radio Network later in 2015. In general, his scholarly and teaching interests include European music and culture of the 18th and 19th centuries, German Romanticism, Schubert and Schumann, the German Lied, the intersection of criticism, analysis, and performance, performance studies, the music of J.S. Bach, and creative forms of audience engagement and concert innovation in classical music.
As a pianist, Dr. Binder has been a fellow at the Tanglewood Music Center and a participant in the Cleveland Institute of Music Art Song Festival. He has accompanied vocal and instrumental recitals throughout North America. As artistic and general director of the Pittsburgh Song Collaborative (http://www.duq.edu/pghsong), he regularly presents innovative song recitals throughout the Pittsburgh area and beyond, including collaborations with the Carnegie Museum of Art and Andy Warhol Museum.
Dr. Binder is also the director and co-founder of the Vancouver International Song Institute's Song Scholarship and Performance program (http://www.songinstitute.ca/song-scholarship-and-performance).