Performance Art Examines History of the Black Aesthetic
In partnership with the August Wilson Center for African American Culture, Duquesne University's McAnulty College and Graduate School of Liberal Arts will present the second annual Black Aesthetics and Politics Conference on Friday, May 4, at 8 p.m. at the Kelly-Strayhorn Theater in East Liberty.
This year, the conference takes the form of performance art in a series of vignettes titled A History of the Black Aesthetic, A Brief Sketch. Throughout the evening, different artists will interpret four periods of African-American arts: the 1600s-1920, 1930-1950, 1960-1970 and 1980-today. By mixing music, dance and poetry, the performers will bring to life the aesthetic period each era represents.
The featured artists are:
- BusCrates 16-Bit Ensemble, a DJ and musician
- Gene Stovall, a Duquesne graduate, singer and guitarist
- Kendra "Vie Boheme" Dennard, a member of the August Wilson Center Dance Ensemble
- Luqmon A. Salaam, a hip-hop performance poet and playwright.
The event is $10 per person; tickets will be available for purchase at the door.
Founded in 1878, Duquesne is consistently ranked among the nation's top Catholic research universities for its award-winning faculty and tradition of academic excellence. The University is nationally ranked by U.S. News and World Report and the Princeton Review for its rich academic programs in nine schools of study for nearly 10,000 graduate and undergraduate students, and by the Washington Monthly for service and contributing to students' social mobility. Duquesne is a member of the U.S. President's Higher Education Community Service Honor Roll with Distinction for its contributions to Pittsburgh and communities around the globe. The U.S. Environmental Protection Agency and the Princeton Review's Guide to Green Colleges acknowledge Duquesne's commitment to sustainability.