Music Education

View the 2025—2026 Curriculum

Our curriculum emphasizes musicianship across PreK–12 public and private schools, both in classroom and rehearsal settings, enabling you to teach anywhere in the United States.

Auditions & Awards

Program Type

Major

Degree

Bachelor's

Academic Department

Music Education and Music Therapy

Duration

4-year

Required Credit Hours

137

Interested in becoming a music teacher?

Join us on Wednesday, November 5, 2025 and experience being a Music Education Major at Duquesne University for the day!

Our Music Education Graduates Succeed

These Music Education graduates have gone on to become successful teachers, administrators, and performers both the local and international stage.

Michael Warren leans on a post.

Michael Warren

Dr. Michael Warren (2017) was host of the 2019 gala for The Pittsburgh Promise, which featured headliner Leslie Odom, Jr. of the Broadway smash-hit musical "Hamilton."

Hannah Roux poses on a bed of pink spring flowers.

Hannah Roux

Hannah Roux (2020) teaches elementary general and vocal music in the Fox Chapel Area School District, and she also leads Tunes for Tots music class for children and their loved ones at Fox Chapel Presbyterian Church.

Kendra Whitlock Ingram poses for a headshot.

Kendra Whitlock Ingram

Kendra Whitlock Ingram (1997) is the current President and CEO of the Pittsburgh Cultural Trust. She previously served as President and CEO of the Marcus Performing Arts Center in Milwaukee, WI.

Meet the Music Education Faculty

Our Music Education faculty are nationally- and internationally-known educators, scholars, conductors, and clinicians active within the profession.

Rachel Whitcomb

Program Director of Music Education; Associate Professor of Music Education; Associate Dean

Rachel Whitcomb headshot.

Stephen Benham

Professor of Music Education; Chair of Performance Department

Steve Benham headshot

Paul Doerksen

Professor of Music Education

Paul Doerksen headshot

Music Education Adjunct Faculty

Shawn Funk

Shawn Funk

Adjunct Professor of Music Education

PJ Gatch

PJ Gatch

Adjunct Professor of Music Education

Todd Kuczawa

Todd Kuczawa

Adjunct Professor of Music Education

Kayla Kurtz

Kayla Kurtz

Adjunct Professor of Music Education

Jeffrey Leonhardt

Jeffrey Leonhardt

Adjunct Professor of Music Education

Jayne McDonald

Jayne McDonald

Adjunct Professor of Eurhythmics

Marlo Rankin

Marlo Rankin

Adjunct Professor of Music Education

Laura Reynolds

Laura Reynolds

Adjunct Professor of Music Education

Lee Rickard

Lee Rickard

Adjunct Professor of Music Education

Steven Schmidt

Steven Schmidt

Adjunct Professor of Music Education

Rachel Skilone

Rachel Skilone

Adjunct Professor of Music Education

Chad Thompson

Chad Thompson

Adjunct Professor of Music Education

Hone Your Performing Skills

Regardless of degree path, each student benefits from one-on-one instruction with our world-class faculty.

Duquesne's ensembles will provide you with the finest university-level performing experiences available, preparing you for your career as a professional musician. As a member, you will perform on campus, as well as at some of the best venues for music in the city. Our students have performed at Heinz Hall, Carnegie Music Hall in Oakland, Soldiers and Sailors Memorial Hall, the August Wilson Center, the Andrew Carnegie Free Library and Music Hall, and many more. 

LEARN ABOUT ENSEMBLES

In today's competitive commercial and studio music environment, versatility is of the utmost importance. Our unique jazz curriculum integrates foundational training in the classical tradition with private instruction and coursework in jazz idioms.

Learn more about jazz at Duquesne.

Learning Outcomes

  1. Demonstrate personal commitment to the art of music, to teaching music as an element of civilization, and to encouraging the artistic and intellectual development of students—while fulfilling these commitments as independent professionals.
  2. Lead their own students to an understanding of music as an art form, as a means of communication, and as a part of their intellectual and cultural heritage.
  3. Inspire others and excite the imagination of their students, engendering a respect for music and a desire for musical knowledge and experiences.
  4. Articulate logical rationales for music as a basic component of general education, and present the goals and objectives of a school music program effectively to parents, professional colleagues, and administrators.
  5. Work productively within specific education systems, promote scheduling patterns that optimize music instruction, maintain positive relationships with individuals of various social and ethnic groups, and be empathetic with students and colleagues of differing backgrounds.
  6. Evaluate ideas, methods, and policies in the arts, the humanities, and in arts education for their influence on the musical and cultural development of students in school music programs.
  7. Remain current with developments in the art of music and in teaching; make independent, in-depth evaluations of their relevance; and to use the results to improve musicianship and teaching skills.