Academic Policies
School of Music Repeating Courses Policy
The Mary Pappert School of Music follows the Duquesne University Repeating Courses Policy for all programs, with the exception of the Music Education and Music Therapy Department. Their course repeat policy specifies that students must also earn a B or better in all MUED and MUTH courses in order to pass that course.
Ensemble Credit Policy
Large Ensembles Code Type
Subject Code/Course # | Course Name | Minutes/Week | Student Course Credit | Faculty Load Credit | DU Registrar Code |
---|---|---|---|---|---|
MUEN 125/ GMNS 525 |
Symphony Band | 220 | 0-1 | 4 | LGE |
MUEN 130/ GMNS 503 |
Wind Symphony | 220 | 0-1 | 4 | LGE |
MUEN 132/ GMNS 504 |
Duquesne Symphony Orchestra | 265 | 0-1 | 4 | LGE |
MUEN 134/ GMNS 511 |
Jazz Ensemble | 220 | 0-1 | 4 | LGE |
MUEN 135/ GMNS 514 |
Jazz Workshop | 220 | 0-1 | 4 | LGE |
MUEN 139/ GMNS 539 |
Pappert Chorale | 200 | 0-1 | 4 | LGE |
MUEN 143/ GMNS 543 |
Voices of Spirit | 230 | 0-1 | 4 | LGE |
Small Ensembles Code Type
Subject Code/Course # | Course Name | Minutes/Week | Student Course Credit | Faculty Load Credit | DU Registrar Code |
---|---|---|---|---|---|
MUEN 122/ GMNS 522 |
Duquesne Chamber Orchestra | 110 | 0-1 | 2 | SML |
MUEN 144/ GMNS 505 |
Opera Workshop* | 110 | 0-1 | 2 | SML |
MUEN 145/ GMNS 576 |
Vocal Jazz Ensemble | 110 | 0-1 | 2 | SML |
*See voice tally sheet for specific ensemble requirements and restrictions.
Other Ensembles Code Type
Subject Code/Course # | Course Name | Minutes/Week | Student Course Credit | Faculty Load Credit | DU Registrar Code |
---|---|---|---|---|---|
MUEN 118/ GMNS 512 |
Recording Studio Ensemble | 170 | 0-1 | 3 | OTHER |
Chamber Ensembles Code Type
Subject Code/Course # | Course Name | Minutes/Week | Student Course Credit | Faculty Load Credit | DU Registrar Code |
---|---|---|---|---|---|
MUEN 105/ GMNS 515 |
French Horn Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 107/ GMNS 507 |
Brass Choir | 50-100 | 0-1 | 1 | CME |
MUEN 108/ GMNS 521 |
Trumpet Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 112/ GMNS 506 |
Percussion Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 114/ GMNS 519 |
Flute Choir | 50-100 | 0-1 | 1 | CME |
MUEN 115/ GMNS 517 |
Trombone Choir | 50-100 | 0-1 | 1 | CME |
MUEN 116/ GMNS 513 |
Jazz Guitar Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 117/ GMNS 518 |
Tuba/Euphonium Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 120/ GMNS 520 |
Classic Guitar Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 136/ GMNS 536 |
Saxophone Ensemble | 50-100 | 0-1 | 1 | CME |
MUEN 146/ GMNS 544 |
The Dukes Music | 50-100 | 0-1 | 1 | CME |
MUPF 217/ GMPF 514 |
Piano Ensemble | 50-100 | 0-1 | 1 | CME |
Chamber Ensembles coded courses meet 50 minutes/week if enrollment is 5 or fewer students. If enrollment is 6 or more students, Chamber Ensembles coded courses meet 100 minutes/week.
Chamber Music Class Code Type
Subject Code/Course # | Course Name | Minutes/Week | Student Course Credit | Faculty Load Credit | DU Registrar Code |
---|---|---|---|---|---|
MUPF 212/ GMPF 532 |
Chamber Music - String | 100 | 0-2 | 1 | CMS |
MUPF 214/ GMPF 533 |
Chamber Music - Brass | 50-100 | 0-2 | 1 | CMS |
MUPF 216/ GMPF 531 |
Chamber Music - Woodwind | 100 | 0-2 | 1 | CMS |
• Undergraduate Music Education Majors must take seven semesters of courses listed
in bold. Students should also refer to the Undergraduate Handbook for Music Teacher Certification for additional details.
• Undergraduate Music Therapy Majors must take six semesters of courses listed in
bold related to the student's primary instrument and two semesters of choral ensemble
in the senior year.
• Undergraduate Music Performance Majors must take eight semesters of courses listed
in bold; Music Performance Majors whose primary instrument is guitar must take four
semesters of courses listed in bold and four semesters in ensembles of their choice
in consultation with faculty advisors.
• Undergraduate Music Technology Majors must take four semesters of courses listed
in bold and four semesters in ensembles of their choice in consultation with faculty
advisors.
• B.A. in Music students must take four total semesters of ensembles, two of which
must come from those listed in bold.
Note: Some of the ensembles listed above require an audition for entrance. Specific degree programs may also require additional ensembles. Please refer to the degree tally sheet for details.
Applied Lesson Policy
Every music major will receive 14 weeks of lessons and perform a jury or recital each semester of applied study. The following formula is used for both Undergraduate and Graduate Applied Lessons:
Two Credits = 14, 60-minute weekly lessons (840 total minutes), plus a jury or recital
One Credit = 14, 30-minute weekly lessons (420 total minutes), plus a jury or recital
Undergraduate Requirements:
- Performance Majors: eight semesters on primary instrument, two credits per semester
- Music Education Majors: six semesters on primary instrument, two credits per semester. Additional semesters of lessons may be taken if student's schedule permits.
- Music Therapy Majors: four semesters on primary instrument; one semester of one-credit voice lessons, if the student is not a voice major. Three additional semesters of lessons may be taken beyond the five required semesters if the student's schedule permits.
- Music Technology (Sound Recording): eight semesters on primary instrument, two credits per semester. In the senior year, the student has the option to participate in applied instrumental study or applied audio study.
- Music Technology (Composition for Media): four semesters of applied study on primary instrument, two credits per semester, followed by four semesters of composition for media studies, two credits per semester.
- Bachelor of Arts: four semesters of one-credit lessons on primary instrument; additional semesters of lessons may be taken if student's schedule permits.
- Music Minor: two total credits of applied study on primary instrument
Additional Applied Study Options (with the permission of the instructor, Area Coordinator, Department Chair, and Dean)
- Undergraduate Performance-Jazz Emphasis majors may take two credits of lessons, dividing those into two, 1-credit lessons each in classical and jazz.
- Undergraduate Performance, Music Education, and Music Technology majors may take two credits of lessons, dividing those into two, 1-credit lessons each in classical and jazz. (See procedure below regarding dividing lessons.)
- Undergraduate organ majors may take an additional two semesters of 1-credit lessons in applied piano.
- Undergraduate voice majors may take up to two additional credits of piano (one credit maximum/semester) upon successful completion of group piano classes.
- In exceptional cases, piano and voice majors may take an additional 1-credit of lessons in jazz in addition to their 2-credit lesson on their primary instrument. These requests must be approved in advance of registration by the individuals mentioned above.
- Requests not covered by the above situations must be submitted to the Associate Dean for formal approval, once the instructor, Area Coordinator, and Department Chair have given their approvals.
Students interested in dividing 2-credit lessons into two, 1-credit lessons each in classical and jazz, must first submit a Division of Applied Lessons Form to the Performance Department Chair. The chair will then discuss the request with the applied instructor, the faculty advisor, degree Program Director or appropriate chair, and the Jazz Area Coordinator. The student will be notified in writing whether the request is approved or not.
Degree Recital Policies and Procedures
Students should refer to the syllabus for their specific recital to find the requirements related to repertoire, program length, and any other area-specific requirements. The recital scheduling process is found at duq.edu/recitals.
Please see the Academic Policies section of the University Catalog for all other academic policies and procedures.
Incomplete (“I”) Grades
An incomplete grade ("I") is a temporary grade given when neither a passing nor failing grade can be determined because of incomplete coursework due to extreme and unforeseen extenuating circumstances. To be considered for an I grade, the student should have completed a majority of coursework and attended a majority of classes in the course. Upon assigning the I grade, the instructor should provide the student with a delimited set of coursework requirements to complete to be assigned a final grade. As such, it should be unnecessary for students to attend the same class in a subsequent semester in order to make up incomplete work.
For all music courses, students must request an I grade by completing the Incomplete Grade Request Form which can be found on the Student Success page on DORI (duq.edu/MusicStudents). Prior to completing this form, students should review the full Incomplete Grade Policy in the University Catalog. The student, with specific guidance from the course instructor, must fill out the entire form and then gain approvals from all individuals as listed in the table at the end of the form. These approvals should be obtained through an email that is sent from the student to all parties with the form attached, with each faculty member or administrator using the “reply all” feature. Students will not be granted an incomplete grade without prior approval from all individuals (instructor of the course, faculty advisor, Department Chair/Program Director, Associate Dean). Once email approvals from the instructor, faculty advisor, and Department Chair/Program Director are obtained, the Associate Dean may require a meeting with the student. The Associate Dean will “reply all” with a final decision regarding an Incomplete grade.
The timing of an Incomplete Grade request should ideally occur prior to the start of final exams, although unforeseen extenuating circumstances may prevent that. For any music course, instructors are not permitted to enter an I grade for any student unless the form is completed and submitted appropriately. The only exception to this is if extenuating circumstances prevent a student from completing the form. In that case, the instructor must communicate via email with the Associate Dean with a cc to the student regarding the need to enter an I grade and include the following:
- Student name
- Course name
- Reason for I grade, including any documentation supporting unforeseen extenuating circumstances
- Student’s current grade in the course
- List of assignments/work to be completed, including original due dates and new due dates
- Date the instructor will submit the final grade for the student whether or not all work is completed (date must be before deadline indicated on university calendar)
- For these exceptions, the Associate Dean will respond to the faculty member and student with a final decision regarding an Incomplete Grade for the course.
Program Goals & Outcomes
The goal of the Mary Pappert School of Music is the development of a well-rounded professional musician who is well-equipped to contribute to the contemporary musical world.
To meet that goal, the Mary Pappert School of Music aims to develop in each student the highest caliber of individual performance informed by current music scholarship. Music studies at Duquesne are enriched by the Bridges Common Learning Experience, a distinctive sequence of courses which places music studies within a broader cultural context.
Mary Pappert School of Music General Goals for all Undergraduate Degree Programs
The School of Music has a common body of knowledge and skills for all degree areas. These fall broadly into the following categories: Performance, Musicianship Skills and Analysis, Composition and Improvisation, History and Repertory, Technology, and Synthesis. The chart below demonstrates how these school-level goals link to the Dimensions of a Duquesne University:
Category 1: Performance Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U1A | Students will acquire technical skills for artistic self-expression in at least one major performance area at a level appropriate for the particular music concentration. |
|
SOM-UG-U1B | Students will acquire an overview understanding of the repertory in their major performance area and the ability to perform from a cross-section of that repertory. |
|
SOM-UG-U1C |
Students will acquire the ability to read at sight with fluency demonstrating both general musicianship and, in the major performance area, a level of skill relevant to professional standards appropriate for the particular music concentration. |
|
SOM-UG-U1D |
Students will acquire the knowledge and skills sufficient to work as a leader and in collaboration on matters of musical interpretation. Rehearsal and conducting skills are required as appropriate to the particular music concentration. |
|
SOM-UG-U1E | Students will acquire keyboard competency. |
|
SOM-UG-U1F | Students will acquire growth in artistry, technical skills, collaborative competence and knowledge of repertory through regular ensemble experiences. Ensembles should be varied in both size and nature. Normally, performance study and ensemble experience continue throughout the baccalaureate program. |
|
Category 2: Musicianship Skills and Analysis Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U2A |
Students will acquire an understanding of the common elements and organizational patterns of music and their interaction, the ability to employ this understanding in aural, verbal, and visual analyses, and the ability to take aural dictation. |
|
SOM-UG-U2B |
Students will acquire sufficient understanding of and capability with musical forms, processes, and structures to use this knowledge and skill in compositional, performance, analytical, scholarly, and pedagogical applications according to the requisites of their specializations. |
|
SOM-UG-U2C | Students will acquire the ability to place music in historical, cultural, and stylistic contexts. |
|
Category 3: Composition and Improvisation Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U3A | Students will acquire a rudimentary capacity to create derivative or original music both extemporaneously and in written form; for example, the imitation of various musical styles, improvisation on pre-existing materials, the creation of original compositions, experimentation with various sound sources, and manipulating the common elements in non-traditional ways. |
|
Category 4: History and Repertory Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U4A | Students will acquire basic knowledge of music history and repertories through the present time, including study and experience of musical language and achievement in addition to that of the primary culture encompassing the area of specialization. |
|
Category 5: Technology Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U5A | Students will acquire the ability to use technologies current to their area of specialization. |
|
Category 6: Synthesis Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U6A | While synthesis is a lifetime process, by the end of undergraduate study students will be able to work on musical problems by combining, as appropriate to the issue, their capabilities in performance; aural, verbal, and visual analysis; composition and improvisation; history and repertory; and technology. |
|
SOM-UG-U6B |
Students are expected to have the ability to form and defend value judgments about music, and to communicate musical ideas, concepts, and requirements to professionals and laypersons related to the practice of the major field. |
|
Category 7: Professional Goals | Duquesne Dimensions | |
---|---|---|
SOM-UG-U7A | Each student will display competence in the appropriate professional skills and knowledge outcomes related to their degree areas. |
See program-level outcomes for associations with (i.e., links to) Duquesne Dimensions |
SOM-UG-U7B | Students will display professional dispositions as defined by the individual degree areas. |
See program-level outcomes for associations with (i.e., links to) Duquesne Dimensions |